Frequently Asked Questions

What kind of organization is KCPT?

KCPT is a 501(c) 3 organization.

How do I get a copy of a PBS or KCPT program?

Many KCPT productions and most national PBS programs are available for purchase. Please visit our store on this Web site for ordering information and pricing. PBS videos are available online at Shop PBS (ordering through the Shop PBS web site supports KCPT) or by phone through PBS (1-877-PBS-SHOP) or VideoFinders (1-800-343-4727).

It is a violation of copyright laws for KCPT to make a copy or “dub” of a PBS program for you.

Where do I send comments or concerns about a program I saw on KCPT?

KCPT values your comments and concerns, so we have a policy that all e-mails, letters and phone calls will generally receive an answer within several business days. When we evaluate a program, our viewers’ opinions do carry a great deal of weight. So, if you loved a show, please let us know. Likewise, if you disliked a program, it is also very important that you let us know why. Because your comments may impact our future decisions about programs, we encourage you to send Viewer Services your thoughts via email (customer_service@kcpt.org), by phone (816) 756-3580 or by mail (125 East 31st Street, Kansas City, MO 64108).

KCPT does not have any impact on the creation or content of national PBS programs. So, in some cases, it is more appropriate to direct your comments and questions to PBS or the shows’ producers. If you disagree with a show’s concept, information or ideas, the best way to voice your concern is to go straight to the source by contacting the show’s creators or using the feedback system on the PBS Web site. To reach PBS, click here. To reach a specific national show, click here.

If you have questions about KCPT’s local productions (Ruckus, Kansas City Week in Review, or Rare Visions & Roadside Revelations), you may want to consider visiting the Local Programs part of the Web site.

Why does KCPT occasionally broadcast programs at a different time (or on a different day) than the national PBS schedule or not broadcast them at all?

There are a number of reasons that KCPT may choose to broadcast a program at a different time than what is published for the national PBS schedule. One of the most basic reasons is simply that PBS schedules are based on the Eastern time zone, whereas the KCPT service area is on Central time. So some KCPT programs air here in the Kansas City region one hour behind the PBS broadcast.

Many of the other reasons for broadcast differences are all based on the fact that KCPT is a PBS member station, not an affiliate network station like ABC, CBS, Fox, NBC, WB, or UPN. Some differences are obvious, like the fact that we do not have commercials. However, what many people do not realize is that PBS is not a network at all, but rather a television service. Networks pay their affiliate stations to carry national programming and therefore require that they run the shows at the same time everywhere. Alternatively, PBS stations pay for PBS programming, and since the individual stations own the broadcast rights, they have more autonomy in scheduling.

Some PBS material, called common carriage, is carried by all stations. Examples of common carriage programs are Frontline and The NewsHour With Jim Lehrer. PBS and various public television producers do provide an abundance of material to stations, but the majority of member stations choose to broadcast a vibrant mix of local and regional programs rather than a schedule filled with 100 percent national shows. KCPT, like most stations, also chooses to time-shift some national programs (either by hour or by day) in order to create the best schedule we can for the Kansas City region.

Other programs that PBS offers are completely optional and do not fall into common carriage. For these shows, KCPT may broadcast some on the same day as the national schedule, but others we may record and save for a later broadcast, or not show them at all. The reasons for these decisions vary, but all are based on careful review of the show and how it might be received in the Kansas City market.

Why does KCPT have pledge drives? Why are they so often? Why do you play the same programs over and over?

Eighty-four cents of every dollar KCPT needs to operate comes from individuals and corporations right here in Kansas City. So, membership drives are one of the many fundraising tools we use to turn viewers into members of KCPT. All of us at KCPT understand how you feel about membership drives. We conduct them approximately four times per year but because they interfere with our regular programming, we understand that it does “feel” like they happen more often than that. We have been exploring less disruptive methods to boost membership, but at this time our largest percentage of individual new members is generated from the drives. This makes them a very necessary, but sometimes frustrating, practice for our viewers.

During membership drives we do broadcast a number of the programs several times. We do this so that we can generate the most new members possible during the drive. The replay of highly successful membership programs is called “Members’ Choice,” because more members membership during those programs than any other. Typically only six percent of KCPT’s viewing audience is tuned into a particular show at any given time, which means that an encore presentation of a membership show is still “new” to the remaining 94 percent of our audience.

How does KCPT make programming decisions?

Each day there are hundreds of programs available to us for broadcast on KCPT. From children’s programming to national PBS prime-time shows, we carefully consider each program or series for its relevance and value to the Kansas City regional audience. Many programs in our prime-time hours are a part of the PBS common carriage lineup, which means that they are being carried on virtually every PBS station all over the country. Others, such as “how-to” shows or children’s programs, vary in broadcast days and times from station to station. In fact, there are so many programs available to us from various public television sources we could never show them all. Therefore, we must pick and choose. When making program selections, our two highest priorities are local KCPT productions and PBS common carriage programming. Any other program selection is discretionary, so we make determinations by carefully weighing the various aspects of the following criteria: subject matter, production quality, journalistic or artistic integrity, community value, audience appeal, local relevance, viewer feedback and cultural significance.

The region that KCPT serves is very diverse, and we believe it is part of public television’s mission to speak to that diversity with a program lineup that spans a broad range of opinions and experiences. Occasionally we broadcast a show with a select appeal even though some viewers may disagree with the content. Programs that foster an understanding of an opposing point of view can help create a local community dialogue. Regardless of the occasional disagreement with a show, our hope is that most of the time you are able to find programs on KCPT that brighten your life in some way—through a new emotion, a new idea or a new way of looking at things.

Why did you take off my favorite program?

KCPT purchases the broadcast right for all the programs we air. Each program’s individual “rights” dictate to us how many times we can air a program in a given window of time. The average rights period is four times over three or four years although it could be much shorter or longer. At the end of that time period, KCPT can no longer legally broadcast the program. Occasionally, old programs will be available again so additional rights can be bought.

Why should I give to KCPT? I pay my cable bill; isn’t that enough?

As a non-commercial television station, financial support from individuals makes up almost half of every dollar we spend, so every dollar you contribute counts. Contrary to popular belief, about 90 cents of every dollar KCPT spends is generated right here in the Kansas City region from corporations, foundations and people just like you. In other words, only about 10 cents per dollar comes from government funding, and none of it comes from the cable companies. The advantage for viewers is that KCPT is truly a community station that is committed to the concerns and preferences of our region. Here are some important reasons to support KCPT:

  • Your gift directly supports local programming on KCPT. From Rare Visions & Roadside Revelations to Kansas City Week in Review, your support helps us chronicle our history, create public dialogue and showcase local talent and cultures.
  • Every dollar you give today ensures that a little boy or girl somewhere in our community may learn to read a new word tomorrow due to our education and outreach initiatives.
  • Your support tells us that you like and value our programming. KCPT spends about $1.5 million a year to pay for the national programs on our air (Sesame Street, NOVA, Frontline, The Newshour, This Old House). Your contribution directly supports our efforts to obtain the best programs available.
  • By giving to KCPT you are helping to do your part to bring thoughtful, educational and culturally stimulating television programs to the Kansas City region.
  • As a member of KCPT, you will receive great perks, like the KCPT Member Magazine and the KCPT Plus Card.
  • Through the expansion of our digital technology, we have been able to increase our programming and educational services. Your gift will help us pay for additional new technology.
  • By joining KCPT, you are showing businesses and foundations in the Kansas City region that KCPT is important for the community. Your support encourages increased giving from corporations.

How do I become a member of KCPT?

There are lots of ways to become a member: online, on the phone (816-756-3580) or via mail.

I have an idea for a new TV show or documentary. Who can I talk to at KCPT?

Please send your ideas and your contact information to:

Randy Mason
125 East 31st Street
Kansas City, MO 64108

If you would like the materials returned to you, please include a self-addressed, stamped envelope.

Does KCPT give tours?

KCPT is happy to offer group tours of the broadcast facility for both adult and children’s groups on the first Monday of the month between the hours of 1pm – 5pm.  Due to staff reductions we are unable to make exceptions to the time and date of tours at this time.

Contact: Sandy Woodson
816-756-3580 x4298
swoodson@kcpt.org

Group Size: At least six (6) and no more than twenty-five (25) (one (1) adult for every ten (10) children)

Age Limit: No younger than six (6) years of age

Time Length: Approximately one (1) hour
Tour Leaders must provide the following:

  • Tour leader’s name and phone number
  • Number of people in the group
  • The ages of those taking the tour
  • Any special needs of those in the tour group
  • The optional dates that you would like to tour

You will be contacted when your tour is booked. We are looking forward to having you tour our facilities and learn more about KCPT.

Please note: All tours are subject to cancellation due to studio scheduling. We will make every effort to give you 24 hours notice of cancellations.

How do I contact KCPT?

KCPT
125 East 31st Street
Kansas City, MO 64108
816.756.3580
customer_service@kcpt.org

How do I contact PBS?

You can send mail to PBS headquarters at the following address:
Public Broadcasting Service
2100 Crystal Drive
Arlington, VA 22202
viewer@pbs.org

I want to use a program I saw on KCPT for a classroom or community organization presentation. Can I show a video?

In general, all programs broadcast on KCPT have a one-year allowance for classroom/educational usage. However, it is always best to double check before taping or using a program for a broad audience. For local KCPT productions, please contact Viewer Services (816.756.3580), for national PBS programs, please consult PBS TeacherSource for copyright guidelines.

How do I view KCPT’s digital channels?

You can receive digital signals by attaching a set-top digital tuner box to your regular television. The box, available wherever TVs are sold, attaches to your TV set like a DVD player. Regular (analog) televisions will not pick up digital signals without a set-top digital tuner box. A few digital television sets come with the digital tuner box already installed. Other digital televisions, like high definition (HDTV) sets, pick up the better picture quality of KCPT’s digital signal, but not the extra channels unless a set-top digital tuner box is installed.

A narrator is describing everything that happens on your programs. How do I make it stop?

It sounds as though you’re hearing the Descriptive Video Service (DVS) option made available to audiences who are blind or visually impaired. You can turn this feature off and on fairly easily.

Most newer-model TVs with stereophonic sound systems are able to receive a Second Audio Program (SAP) which provides enriched verbal descriptions of what is heard and seen on a TV’s primary audio and video channels. Most TVs and VCRs require you to select the SAP channel in order to receive and record DVS. The selector is usually labeled SAP, MTS, Audio 2, or Audio B on your TV panel, remote-control device, or on-screen menu. Un-selecting the SAP channel should eliminate the DVS option.

If you’re not able to un-select the SAP channel, review your TV manual or contact a TV vendor who can guide you through the process. Like closed captioning, DVS was also pioneered by PBS to ensure the widest possible audience is served.

Could you please give me directions to KCPT?

From the South & West:

I-35 North to exit 234A, Turn right at the exit and move to the left two lanes to enable a left hand turn at the first light, Southwest Boulevard. Turn left and move to the right hand lane preparing for a turn at the first light, 31st St. Proceed East uphill, crossing Broadway and Main, approximately 1 mile. (*) KCPT is on the right hand side of the street below the orange KCMO tower, one block east of Main Street.

Parking is located in front of the KCPT building, and in parking lots across 31st Street off Grand.
From the North, East and I-70 West:

Proceed to I-35 South and take the first exit after the viaduct, Broadway/27th Street.

Proceed South (uphill) on Broadway to the first light, 31st. Street. Turn left toward Main Street and continue as above. (*)
Where is the KCPT transmitter located?

Our transmitter is located in Independence, Missouri.

How do I find out about current job openings at KCPT?

Current job openings are located on our website. Go to Human Resources.

I’ve applied for a position with KCPT and haven’t heard anything yet. Who do I contact?

Call Sandy Woodson at 816-756-3580 extension 4298 or Donna Collene at extension 4230.

I’d like to know more about an open position.

Call Sandy Woodson at 816-756-3580 extension 4298.

How do I get a copy of a program’s transcript?

We don’t offer transcripts for our locally produced programs, but DVD copies are available for a cost of $19.95. Jim Lehrer’s Newshour does offer transcripts (call 703-998-2170) as does Nightly Business Report (305-949-8321).

I didn’t get my premium gift after I pledged, what do I do?

Our Membership Department can research this for you. Email Deanna at dmaus@kcpt.org for more information.

How do I become a volunteer?

Contact Rhonda Johnston at 816-756-3580 ext. 4207, or email her at rjohnston@kcpt.org, or submit your contact information through the Volunteer online form to discuss volunteer opportunities at your favorite Public TV Station!

Why can’t I get the Channel 19 signal?

Please email customer_service@kcpt.org describing your problem, including how you receive television – cable, over the air, dish. Be sure to re-scan your channels as that is usually the problem.

How can I underwrite with KCPT?

Email one of our underwriting specialists: Kate at kchapin@kcpt.org, Jeff at jweiner@kcpt.org, or Cynthia at cadler@kcpt.org.

Does KCPT air Public Service Announcements or have a Community Calendar?

KCPT generally does not have the capacity to air Public Service Announcements. Currently, the website does not have a community calendar.

The Shocking Truth Storyboard Contest – Extended to 9/30/11

Create a storyboard illustrating the importance of electricity and win a chance to see your idea turned into a spot on KCPT!

Create a storyboard illustrating the importance of electricity and win a chance to see your idea turned into a spot on KCPT!

Summary and Guidelines:

  1. Student(s), Contest extended to Sept 30. grades 6 thru 12, will work to develop a story regarding electricity
  2. Student(s), grades 6 thru 12, will submit an essay describing their story, thinking in terms of scenes, and how much time for each scene, remembering you only have 15-30 seconds to tell your important story!
  3. One winner will be selected from the submitted essays to work with a KCPT producer and produce a 15-30second segment which will air at least 60 times during KCPT’s PBS KIDS GO! block.
  4. The winning piece will be available through KCPT’s website and KCPTKids.org; social networking sites such as a Facebook, MySpace, iTunesU and YouTube and through www.learn360.com an educational video streaming service provided by KCPT to over 100,000 students and 7,000 teachers in both Kansas and Missouri.

The Storyboard must relate to one of the following two categories:
1) Innovations, important figures or careers in the Electrical Industry
Questions to consider: Why were they critical or important? How did the person or innovation change the electrical industry or society? How might society be different without this innovation or person’s discovery? What is interesting or remarkable about this career or position in the industry?

2) Electrical Safety
What to cover: Define the topic and/or problem. Identify the dangers and/or potential problems. Explain how to be safe in each situation. Include what visuals you may use or what you may demonstrate.

Instructions:

  • Submit completed entry, with Official Entry Form by September 30. All forms are available at www.electricleague.org/safety
  • All entries must include required documents, as instructed on the Official Entry Form (list of participants,bibliography and essay).

Direct all contest materials and questions to:
Jane Male, CAE, Executive Director
Electric League of Missouri & Kansas
PO Box 419264
Kansas City, MO 64141
816.561.5323
jmale@swassn.com

In Performance at the White House

Tribute to Burt Bacharach & Hal David Monday, May 21, 2012 at 8pm.

Enjoy a star-studded tribute to the songwriting team who penned such classic tunes as “Raindrops Keep Fallin’ on My Head,” “What the World Needs Now Is Love” and “Walk on By” and “Alfie.” Composer Burt Bacharach and lyricist Hal David’s extraordinary collaboration has produced numerous hits and enjoyed a resurgence in popularity, with songs featured in the Austin Powers films and on an episode of “Glee.”

Watch Monday, May 21, 2012 at 8pm.

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$5 Turns Into $75,000 in Minneapolis

Watch Antiques Roadshow Monday, May 21, 2012 at 7pm.

The Wabasha Street Caves provide the perfect noir background for host Mark L. Walberg and appraiser Simeon Lipman to discuss the history and collecting of flashlights. Highlights include an 1863 Ulysses S. Grant letter; a circa 1950 Charles Shulz Li’l Folks original cartoon; and two paintings — one by Victor Higgins, the other by Spencer — purchased together for $5, but valued at $75,100-$75,200.

Watch Antiques Roadshow Monday, May 21, 2012 at 7pm.

The Local Show: May 17, 2012

This week: The Charlotte Street Foundation, Starlight Theatre's Denton Yockey, Cristo Rey and the Black Archives of Mid-America

This week on The Local Show, we continue our performARTS series with a look inside The Charlotte Street Foundation. With the new season just around the corner, we talk to Denton Yockey, the head of Starlight Theatre, about what’s in store for theater and concert goers this summer under the stars. As part of our Difference Makers series, we profile Cristo Rey, a four-year Catholic college prep high school where students help pay for their education by working a job once a week. And we get a look at the new Black Archives of Mid-America which is set to reopen in the 18th & Vine Jazz District on June 16.

performARTS: Charlotte Street Foundation

We profile The Charlotte Street Foundation as part of our performARTS series. The Charlotte Street Foundation plays in important role in cultivating an environment in the urban core of Kansas City in which artists and art can thrive.

This week, in conjunction with KC Studio Magazine, our performARTS Series takes a look at the Charlotte Street Foundation. Named after a house near UMKC where poets, painters and music makers would gather to eat, drink and talk shop, Charlotte Street celebrates turning 15 this year. Randy Mason has more about this unique operation, which through cash awards and other forms of assistance helps the region’s artists do more of what they do best.

Culture Alfresco: Denton Yockey & Starlight Theatre

With the curtain about to rise on another season of top Broadway shows and big name concert performers at Starlight Theatre, we caught up with Starlight's man in charge, Denton Yockey.

A new season of live theater is about to get underway at Starlight Theatre. The Swope Park theater with its iconic towers has been entertaining Kansas Citians under the stars for more than 60 years.

Starlight is one of only three outdoor theatres of its size and type still operational in the United States. The Muny in St. Louis and Wolf Trap in Vienna, Virginia are the others. With the curtain about to rise on another season of top Broadway shows and big name concert performers, we caught up with Starlight’s man in charge, Denton Yockey.

Here is a look at the upcoming Broadway Shows:

In The Heights
June 5-10

Memphis
July 10-15

Peter Pan
July 24-29

Elton John & Tim Rice’s Aida
August 3-12 at The Kauffman Center for the Performing Arts

La Cage Aux Folles
August 28-September 2

The 2012 Concert Season is also filling up with artists such as Barry Manilow, James Taylor, Crosby, Stills & Nash, My Morning Jacket, Band of Horses, Phish, B.B. King, Il Divo and many, many more.

Difference Maker: Cristo Rey

As part of KCPT's Difference Maker series, producer Cara Meyers profiles Cristo Rey, a four-year Catholic college prep high school where students help pay for their education by working a job once a week.

Can you imagine an inner-city high school in Kansas City where most of the kids are black and hispanic, almost all come from impoverished backgrounds and qualify for free or reduced lunch and yet nearly everyone graduates and goes on to college? Well, there is such a school. It’s called Cristo Rey, a four-year Catholic college prep high school where students help pay for their education by working a job once a week.

Sign reading Cristo Rey Kansas City: A Sisters of Charity of Leavenworth High School

As part of KCPT’s Difference Maker series, producer Cara Meyers profiles Cristo Rey, which you’ll find one block east of Broadway on Linwood boulevard in the heart of the city.

By the way, working one day helps pay for about 60 percent of the students’ education. The rest is picked up through generous scholarships. Most families pay between 10 and 30 dollars a month for their child to attend the school.

Treasure Trove of History: Black Archives of Mid-America

In celebration of the grand opening of the Black Archives of Mid-America in Kansas City, The Local Show presents a spoken word piece written and performed by Glenn North, poet in residence at the American Jazz Museum. The Black Archives of Mid-America re-opens in the 18th and Vine Jazz District on June 16th.

Finding Your Roots with Henry Louis Gates, Jr. is a ten-part series on PBS that explores the history of America though the lives, families, and DNA of some of its most celebrated citizens. As part of the national outreach for the series and in celebration of the grand opening of the Black Archives of Mid-America in Kansas City, The Local Show presents a spoken word piece written and performed by Glenn North, poet in residence at the American Jazz Museum. We recorded Glenn at the NEW black archives which opens to the public next month.

The Black Archives of Mid-America re-opens in the 18th and Vine Jazz District on June 16th.

Sherlock Finale Viewing Party at KCPT

Join us at KCPT for the season 2 conclusion as Moriarty poses the “final problem” and a tabloid reporter reveals the “shocking truth” about Sherlock, Sunday, May 20, 2012, 7-9:30pm.

In what may be the climatic case of his career, Sherlock faces Moriarty’s diabolical plot to “get Sherlock,” which begins innocently enough when the criminal mastermind breaks into the Crown Jewels. As the scheme unfolds, Moriarty poses the “final problem,” and a tabloid reporter reveals the “shocking truth” about the great detective.

Join KCPT on Sunday, May 20, 2012 for a fun evening celebrating everything Sherlock as we watch the final episode The Reichenbach Fall on the big screen in KCPT’s Community Room. Vivien Jennings from Rainy Day Books will give a talk about Sherlock Holmes and the ongoing influence of the character in literature.

Sunday, May 20, 2012, 7-9:30 pm

KCPT is located at 125 E 31st Street, Kanas City, MO

Downton Abbey: Behind the Drama

Watch Sunday, May 20, 2012 at 6:30pm following the conclusion of the Downton Abbey marathon.

The actors talk exclusively about their characters and the gripping story lines across both series. They provide a real insight into the romance and conflict portrayed in the series, how they interact with each other and how they feel filming the crucial scenes for their character.

There is behind the scenes footage at all the key locations, including the historic Ealing Studios in London where all the ‘below’ scenes are shot, the fabulous Highclere Castle in Berkshire, the site of most of the ‘above stairs scenes’, and the show is on location for the dramatic opening scene of the second series, set during the
Battle of the Somme and shot on location near Ipswich.

Watch sunday, May 20, 2012 at 6:30pm.

Chris Botti M&G

KCPT members enjoyed a pre-show Meet & Greet then a fantastic concert performed by jazz trumpeter Chris Botti on Friday, May 11, 2012 at The Midland by AMC.

Trumpeter Chris Botti and a band of very talented musicians performed a fantastic concert of jazz, pop and classical music.

Watch Anthony’s drum solo for Nessun Dorma

View photos from Meet & Greet and concert.

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