Outreach .

0

New Season of Community Cinema Kicks Off with Half the Sky

KCPT’s Community Cinema kicked off its 2012-2013 Season on Saturday, September 8, 2012 at 11am with Half the Sky.

KCPT’s Community Cinema kicked off its 2012-2013 Season on Saturday, September 8, 2012 at 11am with Half the Sky. Nearly 100 people came to the Tivoli Cinemas to see segments from the upcoming documentary series and connect with local organizations.

Half the Sky profiles women across the globe that are combating oppression and issues like gender-based violence, sex-trafficking, maternal mortality and forced prostitution with education, healthcare and economic empowerment. At the screening attendees viewed segments dealing with sex-trafficking in Cambodia and gender-based violence in Sierra Leone. Afterwards community partners from The Metropolitan Organization to Counter Sexual Assault (MOCSA), Veronica’s Voice, Hope House, AAUW-KC and the UMKC Women’s Center shared insights about the kinds of violence and discrimination women in our community face.

Five women standing at the front of a theater presenting to audience.

From left to right representatives from the UMKC Women’s Center, AAUW-KC, Hope House, Veronica’s Voice and MOCSA share their insights on violence and sexual assault against women.

For example, Hope House is Missouri’s largest domestic violence shelter and has 128 spaces for victims of domestic violence. However, they are always full and turn away more women than they can serve each year.

The founder of Veronica’s Voice, shared how she herself had been sex-trafficked from a young age and how her organization works to stop sexual exploitation.

Woman holding paper address theater full of attendees

KCPT’s Community Cinema organizer Lindsey Foat introduces the panelists and discussion for Half the Sky.

Attendees shared the following questions and comments during the discussion:

  • A female teenager asked the panel if they thought mass media has made gender inequality worse and increased domestic violence. All panelists agreed that it has and that the objectification of women in the media has gotten worse.
  • “As an African American woman, it concerns me that in communities of color there is a degree of normalcy to rape. How do we get women of color to go outside of their community to report rape?”
  •  ”The film infuriated me! Where are all the men?”
  • It’s easier for us to look at what is going on in Africa and Asia and make a judgement about those cultures, than to look at our own culture and see the hyper-sexualization and objectification.
  • To make a difference, it is really important to educate men, women the media and put more women in positions of authority.
  • A teacher at a local Catholic High School started using the Half the Sky book as part of her curriculum for her debate students last year. Those students have since started a social justice club. She felt that the celebrity personalities detracted in some ways from the segments and was shocked by the fact that it was two men (one of which was Kristof) who sort of concerned the young woman in Sierra Leone, after she decided not to pursue prosecution against the man who raped her.
0

Meet the Past to Portray Painter George Caleb Bingham

Join KCPT & Kansas City Public Library for Meet the Past: George Caleb Bingham on Tuesday, August 7, 2012 at 6:30pm, Truman Memorial Building, Independence.

In the mid-1800s Missouri was evolving from a rude frontier environment to a modern state. And capturing on canvas both the wilderness and advancing civilization was painter George Caleb Bingham.

Bingham (1811-1879) – portrayed by actor Robert Gibby Brand - returns for the Library’s popular Meet the Past series on Tuesday, August 7, 2012, at 6:30 p.m. at the Truman Memorial Building, 416 Maple St., Independence.  There  may even be a few of his original paintings on display!

Former Independence, MO resident George Caleb Bingham gained national fame with paintings like “Fur Traders Descending the Mississippi,” “The Jolly Boatmen,” and the controversial “General Order No. 11,” which criticized federal depredations during the Civil War.

The self-taught artist came to Missouri as a child, settling with his family in Franklin. When he was nine Bingham met famed portraitist Chester Harding, an encounter that left a powerful impression.

Initially young Bingham considered careers in cabinet making, the ministry, and law. But by age 19 he was painting portraits for $20 apiece, and thereafter he devoted himself to art and becoming one of the great American genre painters of the 19th century.

Bingham operated a studio in St. Louis. Among his early major paintings were the iconic “Fur Traders Descending the Missouri” depicting two frontiersmen in a canoe, “The Jolly Boatmen,” and “Stump Speaking,” one of many works depicting rural politics.

His large canvas “General Order No. 11″ depicted the depredations inflicted by federal troops on civilians in Western Missouri, who in 1863 were forced to abandon their homes as part of the army’s war with Confederate guerillas. Bingham, a Kansas City resident and a supporter of the Union cause, called the order “an act of imbecility” and purportedly warned Union Gen. Thomas Ewing: “If you execute this order, I shall make you infamous with pen and brush.”

Bingham enjoyed a political career, being elected to the Missouri General Assembly in 1848. He was appointed Missouri State Treasurer during the Civil War. Later he became president of the Kansas City Board of Police Commissioners and Adjutant-General of Missouri. He also was the first professor of art at the University of Missouri.

Metropolitan Ensemble Theatre veteran Robert Gibby Brand, who portrays Bingham, played Edgar Snow at a previous Meet the Past event. This spring Brand portrayed Henry Higgins in the Library’s Script-in-Hand production of My Fair Lady.

RSVP on the library’s website.

Major funding provided by the Courtney S. Turner Charitable TrustKen and Cindy McClain, and the J.B. Reynolds Foundation.

 

0

Community Reflects on Its Own Immigration Practices

At KCPT's Homeland: Immigration in America screening on July 16, 2012 attendees saw their community on the big screen.

Over one hundred people came out to see the sneak-peek of Homeland: Immigration in America, a three part documentary co-produced by the Nine Network and KCPT for PBS’ 2012 Election Coverage.

Attendees viewed the second part of the documentary titled “Enforcement”, which illustrates the lengthy process of attaining citizenship legally, the inconsistencies in the legal system, and policemen who have to choose between enforcing the law and building trust with documented and undocumented immigrants in integrated communities.

The policemen in the documentary are two of Kansas City’s own. Police officers Matthew Tomasic and Chato Villalobos, who work in the Westside, were in attendance and answered people’s questions about their work in one of KC’s largest Hispanic neighborhoods.

Comments about the film included concerns about the use of the term “illegal”, pride in the police officers compassionate and community approach, and stories about prejudice against Hispanics in other areas of Kansas City.

0

Explore Immigration in the Heartland

Join us Monday, July 16th at 6:30pm at Screenland Crown Center for a special sneak peek of Homeland: Immigration in America.

Join KCPT Monday, July 16th at 6:30pm for a sneak peek and discussion of the upcoming documentary series Homeland: Immigration in America. We’ll watch the “Enforcement” episode of the series, which examines issues surrounding immigration in the Heartland–including Kris Kobach’s 2010 election campaign and the community policing practices at Kansas City’s Westside CAN Center. KCPT co-produced this series, which is narrated by PBS Newshour Senior Correspondent Ray Suarez and will air nationally on PBS in late July 2012.

The sneak peak will take place at Screenland Crown Center (on the 3rd floor of Crown Center at 2450 Grand Blvd.)

RSVP to the July 16th Homeland screening.

Page 3 of 1112345...10...Last »