KCPT Community Cinema

Community Cinema

Community Cinema offers monthly special sneak preview screenings of films scheduled for upcoming broadcast on the Emmy Award-winning PBS series Independent Lens.

The screenings, which are offered free of charge, will take place at 11 am each second Saturday through May 12, 2012 at Tivoli Cinemas located in Westport Manor Square, 4050 Pennsylvania, Kansas City, Missouri, 64111.

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Coming up:

Woman holding barbell over head

Strong!
May 12, 2012

A formidable figure, standing at 5’8″ and weighing over 300 pounds, Cheryl Haworth struggles to defend her champion status as her lifetime weightlifting career inches towards its inevitable end. Strong!chronicles her journey and the challenges this unusual elite athlete faces, exploring popular notions of power, strength, beauty, and health.

Past screenings:

women in Burkas with children

Women War & Peace: Peace Unveiled
September 10, 2011

When the U.S. troop surge was announced in late 2009, women in Afghanistan knew that the ground was being laid for peace talks with the Taliban. Peace Unveiled follows three women who immediately began to organize to make sure that women’s rights don’t get traded away in the deal.

 Woman signing

Deaf Jam
October 8, 2011

National poetry slams for youth have been gaining momentum but few, if any, deaf teens have ever been included in these contests. In Deaf Jam, a group of New York City deaf teens reveal their passions, frustrations, and senses of humor as they discover American Sign Language poetry — eventually stepping into the world of the youth poetry slams with their hearing peers.

 Woman in blue shawl dancing

We Still Live Here -Âs Nutayuneân
November 12, 2011

The Wampanoag nation of southeastern Massachusetts ensured the survival of the first English settlers in America, and lived to regret it. We Still Live Here – Âs Nutayuneân tells the story of the return of the Wampanoag language, the first time a language with no native speakers has been revived in this country. Spurred on by an indomitable linguist named Jessie Little Doe, the Wampanoag are bringing their language and their culture back.

 Girls and mothers in front of fence

Troop 1500
December 10, 2011

At Hilltop Prison in Gatesville, Texas, a unique Girl Scout troop — Troop 1500 — unites daughters with mothers who are serving time for serious crimes, giving them a chance to rebuild their broken bonds. Facing long sentences from the courts, the mothers struggle to mend their fractured relationships with their daughters.

 Black and white photo of women

Daisy Bates: First Lady of Little Rock
January 14, 2012

As a black woman who was a feminist before the term was invented, Daisy Bates refused to accept her assigned place in society. Daisy Bates: First Lady of Little Rock tells the story of her life and public support of nine black students who registered to attend the all-white Central High School in Little Rock, Arkansas, which culminated in a constitutional crisis — pitting a president against a governor and a community against itself.

Man with sign board

More Than a Month
February 11, 2012

Shukree Hassan Tilghman, a 29-year-old African American filmmaker, is on a cross-country campaign to end Black History Month. Through this tongue-in-cheek journey, More Than a Month investigates what the treatment of history tells us about race and equality in a “post-racial” America.

Man holding hood of electric car

Revenge of the Electric Car
March 10, 2012

Director Chris Paine takes his film crew behind the closed doors of Nissan, GM, and the Silicon Valley start-up Tesla Motors to chronicle the story of the global resurgence of electric cars. Without using a single drop of foreign oil, this new generation of car is America’s future: fast, furious, and cleaner than ever.

Man in sofa with gun

Hell and Back Again
April 14, 2012

What does it mean to lead men in war? What does it mean to come home — injured physically and psychologically — and build a life anew? In Hell and Back Again two overlapping narratives are intercut — the life of a Marine at war on the front, and the life of the same Marine in recovery at home — creating both a dreamlike quality and a strikingly realistic depiction of how Marines experience this war.